orchestra boabab - specialist in all styles
(World Circuit)

 

ORCHESTRA BAOBAB – Specialist In All Styles (World Circuit)

If it weren’t for this seminal Senegalese orchestra it is highly doubtful that the world at large would have heard such luminaries as the Afro-Cuban All Stars, Grupo Sierra Maestra, Cheikh Lo or the various Buena Vista offshoots, among others. It was Orchestra Baobab’s classic Pirate’s Choice that inspired Nick Gold to start his now famous World Circuit label and the rest is history. After 17 years together,Orchestra Baobab disbanded in 1987 due to the popularity of the mbalax craze which superceded their Afro-latino cum Caribbean style. So it’s ironic as well as a tribute to the band’s greatness that mbalax superstar Youssou N’dour should co-produce with Nick their first album in 20 years since reforming recently.

With the same personnel as the 80’s, including the distinctive guitar sound of electric guitar maestro Barthelemy Attico and the langurous, yet smoulderingly powerful sax of Issa Cissokho, it’s as if the band never went away, evincing that wonderfully natural melange of Caribbean/latino melody and West African feeling on Specialist In All Styles which was recorded live in the studio over a 10 day period. 6 of the 9 pieces are newies though they fit in perfectly with the relaxed and rolling, yet intensely exciting sound of one of the most startling comeback releases of recent world music history.

El Son Te Llama (actually the Cuban son number Amor Verdadero) is given a reinterpretation almost as intoxicating as the one that graced the brilliant precursor to Pirate’s Choice, On Verra Ca. Indeed the new version of that title song gives the original a run for its money. In a crown of diamonds, the shimmering centrepiece is possibly a reprise of Utras Horas from Pirate’s Choice, retitled Hommage a Tonton Ferrer and featuring some superb choruses from Vista superstar Ibrahim Ferrer and Youssou N’dour, however it’s all pretty subjective in an album that fairly bristles with headspinning guitar and sax breaks and stunning vocals that celebrate the throbbing swing of this unrivalled West African combo. If the listener disagrees and picks any of the others as their favourite you won’t hear a peep of disagreement from me.

 

 




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