In
2000 William Magalhaes, keyboard
player and son of original founding member Oberdan
Magalhaes reformed the band and in 2001 they released their
debut Movimiento which seemed to languish until its re-release
in December 2002 under the new title Rebirth (Mr Bongo).
Since the demise of the group in the mid 80s, their recorded legacy
has stealthily influenced the burgeoning acid-jazz movement and
such bands as Jamiroquai, Simply Red
and Incognito. Modelling themselves
on the original sound of jazzy keyboards, bass, guitars, soulful
vocals and exquisite brass arrangements the new Banda Black Rio
have updated the sound without losing the freshness or swing of
true funk.
Yet
the Brazilian sensibility is firmly entrenched in the slinky grooves,
brass and expressive singing. Rebirth hits the ground running
with the punchy Tomorrow, a remix by Ray Mang that
is in complete sync with the material. But here as on all over
these 11 songs there's a real songwriter's sensibility which demands
that funk must not only groove but stimulate and surprise. It
would be hard to imagine something like this being created in
the USA today.
The
American soul (surely a misnomer) stars have lost the ability
to swing; not the Brazilians however, as one listen to the real
soul of Sexta-Feira Carioca or the delirious Misterios
da Raca will ably demonstrate. While samba might not seem
to be overtly present it is really everywhere in the time and
the expression. The instrumental Samba Blum and perhaps
even more so the knockout Tabuleiro da Cor bear this out.
The
relaxed vibe of Carossel is Brazilian ballad-funk at its
best. A special mention should be made of the beautifully crafted
brass arrangements and outstanding vocal choruses that add another
layer of depth here and at many points throughout Rebirth.
Kudos too to Toni Ekonomidas (the soundman behind Da
Lata and the brilliant Nitin Sawhney) and Faze Action,
who add one sympathetic mix each.