doug de vries - a knot in the wood

 

 

 

doug de vries - a knot in the wood

Doug de Vries is a Melbourne based guitarist whose latest release A Knot In The Wood is the fruit of a study visit to Brazil. Although so-called purists might tend to deride anything that is created outside its source of inspiration, this work should give any open-minded listener pause for thought. It’s obvious that Doug’s love affair with Brazilian music is a deep-rooted one, not just a jazz guitarist playing bossa nova.

Indeed A Knot In The Wood is informed by an array of colours that range from northeastern sounds to samba to MPB to chorro, an ebullient, melodious semi-improvised style that can be traced back to the mid 19th century and that seems to predate American jazz. Backed by a stellar cast of musicians which includes percussionist Niko Schaubke, Doug’s acoustic guitar mastery transcends his technique to create a natural personal language of beauty.

This is further borne out by his excellent emotionally centred vocals on the whispery Gema. Half the numbers also feature the warm singing of Diana Clarke who sings in both English and Portuguese. With authentic percussion instruments, the distinctive ring of the cavaquinho or the swinging northeastern lilt of the accordion threading through original as well as familiar themes such as the incomparable Noites Cariocas which opens the CD, this work displays a quality quite rare in projects of this type - emotional honesty.

Perhaps we can gain a better perspective of Doug’s creativity if we listen to the recent re-release of his Free Range which was recorded in 1992. This is a much “jazzier” session with the guitarist shifting between acoustic and subtle electric modes, more extended improvisations and the beautifully expressive vibes of Craig Beard on a couple of tracks where one may be reminded of the classic piano-vibes duets that took place between Gary Burton and Chic Corea during the 70’s.

In addition the superb interplay between percussionist Niko Schaubke is a consistent delight throughout. The Brazilian connection is also strong with Doug giving a masterly chorro interpretation of Pixinguinha’s 1 a 0. What surprises even more is the emotional cogency with which the preceding Chorinha Toccatina is expressed, an original solo guitar piece that could sit quite comfortably next to the classics of the genre. In fact 9 of the 11 songs here are the handiwork of Mr de Vries himself and they are all distinguished by a melodic fecundity that eludes all but the great musicians. If further proof is needed just listen to how the closer, Thelonious Monk’s masterpiece Crepuscule With Nellie is fluently translated to guitar. Richard Jasiutowicz
Feb 2003

 

 




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